Amplifier for Art, Science and Society

Laetitia Sonami with the lady’s glove v.4.

Image courtesy of Laetitia Sonami. Photo credit: © F. Hoekzema.

  • Symposium

Musica ex Machina Symposium

Encounters between art and science

Location

Pavilion A

Friday
20.9.24
9:00–17:30
Information

Symposium: 9 am — 5:30 pm
Guided tours of the exhibition at 8 am, 12:30 pm, 6 pm
Free admission
Upon registration

Access map

Map of EPFL

The Musica ex Machina Symposium, held in conjunction with the exhibition of the same name, delves into the interplay between music and computational thinking from historical to contemporary contexts. This event will gather experts to discuss how algorithmic and AI-driven approaches have transformed music creation and performance. Through a series of presentations and discussions, participants will explore the profound implications of these technological advancements on the future of music.


Speakers


Roberto Alonso Trillo | Alexandra Cárdenas | Fabrice Fitch | Peter Hoffmann | George Lewis | François Pachet | Marek Poliks | Miller Puckette | Markus Roth | Laetitia Sonami | Bob Sturm | Jennifer Walshe | Richard Widdess


Themes

  • The Algorithmic (in music)

This theme examines the historical and contemporary use of algorithms in music composition and performance. Historically, composers have used algorithmic thinking to create complex polyphonic structures and systematic approaches to musical composition and sound synthesis. Today, algorithms enable composers to generate music and sounds that push the boundaries of traditional forms, leading to innovative and dynamic compositions. This session will explore the evolution of algorithmic techniques and their impact on the creative process in music.


  • The Artificial (applications of AI in music)

Focusing on the application of artificial intelligence in music, this theme addresses how AI technologies are transforming music; its creation, performance, and analysis. From AI-generated compositions to intelligent music systems that interact with performers in real-time, this session will highlight the multi-faced and cutting-edge developments in AI and their implications for musicians and audiences. Discussions will cover both the technical aspects and the broader cultural and ethical considerations of AI in music.


  • The New Atlantis (imagining the future)

Looking forward, this theme invites participants to envision the future of music shaped by algorithmic thinking and AI. Drawing inspiration from historical utopian visions like Francis Bacon’s New Atlantis, this session will explore how emerging technologies might further revolutionise music. Topics include the potential for new forms of musical expression, the integration of advanced AI in composition and performance, and the societal impacts of these innovations. This forward-thinking discussion aims to chart the course for the next frontier in music.


Musica ex Machina Symposium, 20.9.2024, Pavilion A
Photos: Alain Herzog/Murielle Gerber

Markus Roth: The Algorithmic (in Music Theory)

Fabrice Fitch: Reconstructing Fragmentary Polyphony and AI?

Richard Widdess: Generative processes in Indian music theory

Peter Hoffmann: Algorithmic Machine Music

Miller Puckette: What are these Fibonacci numbers doing here?

Alexandra Cárdenas: Coding Music Live

The Algorithmic (in music) – Roundtable

François Pachet: Music and AI, is the problem solved?

Roberto Alonso Trillo: On the Musically Possible

Bob Sturm: Prepare for the coming flood of AI music!

Laetitia Sonami: Patterns of Attraction

George Lewis: Stories about Subjects, Objects and Tools

The Artificial (applications of AI in Music) – Roundtable

Jennifer Walshe: Platform Musicking

Marek Poliks: Nobody listens to music anymore

Final Roundtable